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The JSMA is excited to present the world-premiere of noted artist Philip Haas’s new work, before it embarks on a year-long tour in the U.S. and abroad. The two-week performance installation incorporates motorized sculpture, construction, totems, altered found objects, film, fetishized costume, movement, sound, spoken word, and music.
This special exhibition showcases artwork made in the Alzheimer’s arts access program, hosted by the JSMA in collaboration with the Alzheimer’s Association Oregon & Southwest Washington Chapter. Reflections and Connections is a free workshop series for individuals living with early stages of Alzheimer’s Disease and their care partners.
Focusing on clothing and other wearable attire, the exhibition serves as a platform for conversations that address diversity, equity, and inclusion. The exhibition is organized by a UO student curatorial team: Taite Stull, Cassidy Shaffer, and Kristen Clayton, who also served as creative project manager.
The exhibition features a selection of some of the most iconic images that symbolize the ideals of the Cuban Revolution by internationally renowned photographer Alberto Fernando Díaz Gutiérrez, better known as Alberto Korda, or simply Korda (1928-2001).
Qosqo, entre el pasado y el presente: Photography in Cusco 1895-1945, is a portrait of a city and a culture at the dawn of the modern era, drawn from the work of nine photographers who lived in the Cusco region. Subjects range from Inca sites to romanticized evocations of Peru’s indigenous past.
The annual NewArt Northwest Kids exhibition returns to the JSMA for its twelfth year. This year’s theme, Protecting the Northwest’s Natural Beauty, examines the roles people have in caring for the environment and recognizing the collective responsibility to preserve the quality and safekeeping of the land, air, water, plants, and animals.
Visual Clave explores the evolution of Latin album cover art with particular focus on the United States market. It pays critical attention to issues of identity and aesthetics through depictions of Latino/a people and cultures, historical context, and the unsung graphic artists who helped present Latin music—and its attendant socio-cultural themes—to the world.
Coeta and Donald Barker Changing Exhibitions Gallery
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This collaboration between the JSMA and the George D. Green Art Institute celebrates recent work by over forty artists who began their creative careers in Oregon during the 1960s and ’70s.
Published in Paris in 1950, Cirque was a collaboration between French modernist painter Fernand Léger and book publisher Tériade. It is one in a series of twenty-seven such projects conceived by the publisher between 1943 and 1975. Known as livres d’artiste, these finely printed, large-format books pair handwritten text with original artwork from some of the 20th century’s most prominent artists.
Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art
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This installation introduces art created by, for, and/or about Korean women and features paintings, prints, photographs, sculpture, ceramics, textiles, lacquer, furniture, and personal adornments dating from the twelfth through the twenty-first centuries. It also includes recently acquired works by contemporary Korean women artists AHN Seongmin, NA Suyeon, and PARK So Eun, among others.
The fall 2018 rotation of the Margo Grant Walsh collection explores the principles of design with a broad range of metalwork selections, including tableware. Co-curated by Tom Bonamici, instructor in Product Design, and new JSMA extern Caroline Phillips, the installation supports several courses in the College of Design’s Product Design area.
Comprised of works of art created by UO student-athletes enrolled in AAD 408, as well as works from the GEO study abroad program and outreach to the Seattle Boys and Girls club, Art of the Athlete features self-portraits and collaborative pieces inspired by Jackson Pollock’s action paintings.
Through travel as well as artistic appreciation and creation, our UO students, with little to no background in art, experienced a similar oasis in which they could artistically and historically reflect on autonomy, social construction, and power relations in their personal lives. Selections of their work will be featured in the exhibition.
