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Steve Rowell investigates ecology and post-natural landscapes in his
multicomponent installation Uncanny Sensing, Remote Valleys (2013-20). The
project’s title combines “remote sensing” (a method of data collection from
the physical world via sensors and other remote technology) and “uncanny
valley” (the cognitive dissonance caused by lifelike replicas of living
things)
For the past 8 years, the Art of the Athlete (AofA) program has been an education program for UO student-athletes as part of the museum’s broad outreach program which engages diverse student groups from across campus. This year, we asked 6 former and current AofA participants to jury artwork made the past 8 years as part of the program.
Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art
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As a teaching museum, the JSMA is dedicated to helping students develop meaningful, life-long connections with art. In addition to regular museum visits and classes, we periodically receive grants that allow us to host scholars with a deeper research focus. In Fall 2019, Bokyoung Hong, a specialist in Korean ceramics, came to the JSMA for a 10-month Korea Foundation Global Challengers internship.
Every year, the JSMA partners with the University of Oregon’s Common Reading—campus-wide programming around a shared book and its themes—to organize a Common Seeing exhibition that explores and expands on the Common Reading through visual art. The 2020-21 novel is This is My America by UO Assistant Vice Provost for Advising, Kimberly Johnson.
Inspired by the Feminist Art Coalition’s mission to promote feminist art
histories “as a catalyst for discourse and civic engagement” during the
2020 election season and beyond, this exhibition considers the
representation of women by male artists from the Renaissance through the
twentieth century.
The Jordan Schnitzer Museum of Art (JSMA) and the Portland Art Museum
(PAM) are co-organizing Nuestra imagen actual | Our Present Image: Mexico
and the Graphic Arts 1929-1956. The exhibition aims to deepen and broaden
the understanding and appreciation of the graphic art of post-revolutionary
Mexico, a landmark in the history of twentieth-century printmaking and
modern art.
Coeta and Donald Barker Changing Exhibitions Gallery
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The Ford Family Foundation celebrates the contributions of outstanding
Oregon artists working in fine art and craft with its prestigious Hallie
Ford Fellowships in the Visual Arts, awarded annually to five recipients by
an independent jury of regional and national arts professionals. This fall,
the JSMA will present new and recent work by the fifteen artists named
Fellows in 2017, 2018, and 2019.
Encounters pairs works by Oregon artists Laura Fritz (b. 1970) of Portland
and Rick Silva (b. 1977) of Eugene. Together, Silva’s web-based,
audio-visual piece The Silva Field Guide to Birds of a Parallel Future and
Fritz’s three-dimensional Alvarium 2 suggest interactions between the
natural and the digital worlds, human and animal activity, and knowing and
not knowing.
In Winter 2019, Art History Professor Akiko Walley and Chief Curator Anne
Rose Kitagawa team-taught an Utagawa School course in which students
studied this vibrant artistic tradition and learned about exhibition
planning in order to contribute to this installation, which features more
than 30 loans from Lee and Mary Jean Michels along with prints from the
museum’s permanent collection.
Entre mundos (Between Worlds) explores the spaces within, between, and among multiple worlds where transformation and change occur in art and individuals. The four works on view in Entre mundos entered the museum’s collection through the generosity of UO students, faculty and departments, and friends of the JSMA.
Mildred Bryant Brooks
Online
The award-winning work of American etcher and master printer Mildred Bryant Brooks (1901-95) explores the physical and metaphorical beauty of the natural world.
The award-winning work of American etcher and master printer Mildred
Bryant Brooks (1901-95) explores the physical and metaphorical beauty of the natural world. With a keen eye for detail, exceptional technical skill, curiosity, and empathy, Brooks brought to life the forest, desert, and ocean landscapes of her native California, reflecting on the symbiotic relationship between nature and humanity
Every Word was Once an Animal explores the overlapping forces of nature and culture between humans, animals, and language, merging art, science, dance, music, and olfaction.
This exhibition, organized by UO Department of Anthropology Professor William S. Ayres with the assistance of MA archeology student Angelica Kneisly and Department of Anthropology Courtesy Research Associate Maury Morgenstein, compares archaeological potsherds from fieldwork in Thailand and ceramic objects from the Jordan Schnitzer Museum of Art.
The JSMA’s Soreng Gallery of Chinese Art has just undergone a long-awaited
renovation facilitated through matched support from Betty Soreng and others
who wish to remain anonymous. The largess of these donors made it possible
to update the gallery floor, walls, casework, and lighting to a level
commensurate with the quality of the collection.
