We are currently beta testing our new site. If you have feedback to share, please email jsma@uoregon.edu
Currently closed
Monday: Closed
Tuesday: Closed
Wednesday: 11:00 am-8:00 pm
Thursday: 11:00 am-5:00 pm
Friday: 11:00 am-5:00 pm
Saturday: 11:00 am-5:00 pm
Sunday: 11:00 am-5:00 pm
Accessibility Toolbar
We use cookies to remember your customised accessibility settings to optimise your visit to our site. If you have disabled cookies, this may prevent your browser from keeping your accessibility changes.
Inspired by the Feminist Art Coalition’s mission to promote feminist art
histories “as a catalyst for discourse and civic engagement” during the
2020 election season and beyond, this exhibition considers the
representation of women by male artists from the Renaissance through the
twentieth century.
Every year, the JSMA partners with the University of Oregon’s Common Reading—campus-wide programming around a shared book and its themes—to organize a Common Seeing exhibition that explores and expands on the Common Reading through visual art. The 2020-21 novel is This is My America by UO Assistant Vice Provost for Advising, Kimberly Johnson.
Coeta and Donald Barker Changing Exhibitions Gallery
-
The Ford Family Foundation celebrates the contributions of outstanding
Oregon artists working in fine art and craft with its prestigious Hallie
Ford Fellowships in the Visual Arts, awarded annually to five recipients by
an independent jury of regional and national arts professionals. This fall,
the JSMA will present new and recent work by the fifteen artists named
Fellows in 2017, 2018, and 2019.
Encounters pairs works by Oregon artists Laura Fritz (b. 1970) of Portland
and Rick Silva (b. 1977) of Eugene. Together, Silva’s web-based,
audio-visual piece The Silva Field Guide to Birds of a Parallel Future and
Fritz’s three-dimensional Alvarium 2 suggest interactions between the
natural and the digital worlds, human and animal activity, and knowing and
not knowing.
In Winter 2019, Art History Professor Akiko Walley and Chief Curator Anne
Rose Kitagawa team-taught an Utagawa School course in which students
studied this vibrant artistic tradition and learned about exhibition
planning in order to contribute to this installation, which features more
than 30 loans from Lee and Mary Jean Michels along with prints from the
museum’s permanent collection.
Entre mundos (Between Worlds) explores the spaces within, between, and among multiple worlds where transformation and change occur in art and individuals. The four works on view in Entre mundos entered the museum’s collection through the generosity of UO students, faculty and departments, and friends of the JSMA.
The Jordan Schnitzer Museum of Art (JSMA) and the Portland Art Museum
(PAM) are co-organizing Nuestra imagen actual | Our Present Image: Mexico
and the Graphic Arts 1929-1956. The exhibition aims to deepen and broaden
the understanding and appreciation of the graphic art of post-revolutionary
Mexico, a landmark in the history of twentieth-century printmaking and
modern art.
The award-winning work of American etcher and master printer Mildred
Bryant Brooks (1901-95) explores the physical and metaphorical beauty of the natural world. With a keen eye for detail, exceptional technical skill, curiosity, and empathy, Brooks brought to life the forest, desert, and ocean landscapes of her native California, reflecting on the symbiotic relationship between nature and humanity
Includes:
Read
Mildred Bryant Brooks
Online
The award-winning work of American etcher and master printer Mildred Bryant Brooks (1901-95) explores the physical and metaphorical beauty of the natural world.
Every Word was Once an Animal explores the overlapping forces of nature and culture between humans, animals, and language, merging art, science, dance, music, and olfaction.
This exhibition, organized by UO Department of Anthropology Professor William S. Ayres with the assistance of MA archeology student Angelica Kneisly and Department of Anthropology Courtesy Research Associate Maury Morgenstein, compares archaeological potsherds from fieldwork in Thailand and ceramic objects from the Jordan Schnitzer Museum of Art.
The JSMA’s Soreng Gallery of Chinese Art has just undergone a long-awaited
renovation facilitated through matched support from Betty Soreng and others
who wish to remain anonymous. The largess of these donors made it possible
to update the gallery floor, walls, casework, and lighting to a level
commensurate with the quality of the collection.
Coeta and Donald Barker Changing Exhibitions Gallery
-
Over his long and prolific career, distinguished American artist and educator Roger Shimomura has channeled his outrage and despair into beautiful, provocative, often irreverent, and sometimes inflammatory art. He uses a brightly colored Pop-Art style to depict a dizzying combination of traditional Japanese imagery and exaggerated cultural stereotypes.
Nationally celebrated Portland-born artist Carrie Mae Weems uses photography, video, and installation to examine contemporary life and the African-American experience. In her exhibition The Usual Suspects, organized by Louisiana State University Museum of Art, Weems asks, “How do you measure a life?”
Inspired by an almost microscopic examination of nature, Claire Burbridge creates beautifully drawn magical worlds. Her subjects, trees, flowers, plants, fungi, insects, morph from realistic depictions into a heightened reality that entices our vision and invigorates our spirit. The current exhibition features works produced since 2015, as well as new works, informed by a recent visit to Iceland.
