Saints and Spirits in Early Modern Europe juxtaposes images of distillation and related revelry with representations of saints and the sacred. Among the works featured are a newly acquired print, The Drunken Silenus (The Tazza Farnese) by Annibale Carracci (Italian, 1560-1609), and a Masterwork on Loan by Venetian painter Paris Bordone (Italian, 1500-71). Additional works from the JSMA’s permanent collection examine the coextensive worlds of sanctity and distilled spirits. The exhibition was curated by Caroline Phillips, Curatorial Extern in American and European Art.
