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The exhibition surveys the history of photography from its origins as a new medium in the early 19th century through its diverse manifestations in contemporary art and society today.
Charles M. Schulz’s PEANUTS is not only the most successful newspaper comic strip in the history of the form; it also represents one of the more remarkable achievements in the history of twentieth-century artistic endeavor, in terms of qualitative consistency and sheer longevity. The strip debuted on October 2, 1950, and ran continuously for almost fifty years
In conjunction with the JSMA's summer camp program, we present Movin’ On, an installation that depends on audience participation. Viewers must start the timer to see the old family movies, thereby committing themselves not only to thirty seconds of footage, but also to the permanent destruction of thirty precious seconds of the same film.
Coeta and Donald Barker Changing Exhibitions Gallery
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For the past nineteen years Lynda Lanker, a Eugene, Oregon, based artist, has been traveling throughout the western United States sketching, painting, interviewing and photographing iconic women. This exhibition and accompanying publication will present the portraits and stories of forty-nine women, from thirteen western states, who gain their sustenance and livelihood from the land.
Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art
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This installation features distinguished examples of Joseon dynasty (1392–1910) through contemporary calligraphy and painting as well as a selection of contemporary Korean ceramics drawn from the JSMA and the distinguished private collection of Robert and Sandra Mattielli.
This exhibition, curated by Lawrence Fong, Curator of American and Regional Art, and Danielle Knapp, McCosh Fellow Curator, and featuring more than 40 major works from her collection, will tell the story of Arlene Schnitzer’s personal relationships with the artists, curators and collectors she championed and influenced.
Considered the "Avedon of Asia," Wong strives to distinguish his work by re-defining and re-styling glamorous figures with greater depth, texture, and imagination.
A selection of eight of those gifts, plus two more Sekino portraits purchased using funds donated by McClain’s friends and admirers, are displayed in this inaugural installation celebrating Professor Sekino’s magnanimous gift and commemorating Yoko McClain.
Coeta and Donald Barker Changing Exhibitions Gallery
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The first JSMA Art Department faculty exhibition in six years features the work of many artists who have joined the faculty recently as well as significant developments in the work of long-standing artists.
Curated by graduate student Ashley Gibson, the exhibition tackles issues that have long been taboo in Cuban socialist society. Since the early 1990s, Cuban artists and intellectuals have investigated the many complex identities that exist within Cuba and which reflect the intermingling of Africa, Europe, and Asia in the Caribbean. Afro-Cuban religion and culture have become important themes in the
Coeta and Donald Barker Changing Exhibitions Gallery
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Running the Numbers by former corporate lawyer Chris Jordan presents a series of largescale digitally manipulated photographs composed of objects—brown paper bags, prison uniforms, plastic bottles, and more—that address issues relating to the environment, consumerism, health and sustainability.
Yongsoo Huh, a collector and supporter of international contemporary art and particularly young artists, has lent the JSMA an exciting selection of recent work. Representing seventeen cutting-edge Korean artists, the exhibition focus on icoic figure paintings, landscapes and still lifes. A member of the museum’s Leadership Council, Huh has been a key player in Seoul’s contemporary art scene and is
