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Coeta and Donald Barker Changing Exhibitions Gallery
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In honor of the JSMA’s 80th anniversary, “Living Legacies” will celebrate collectors and collections in our community that reflect the JSMA’s vision for the future.
Features works acquired, through gift and purchase, over the last five years, since Lasting Legacies, reflecting a more expansive collecting mission and enhanced service to our on- and off-campus constituents.
This exhibit of images by Eugene photographers Warren Morgan, Juretta
Nidever, Jon Meyers, and others aims to capture the artistry, friendship,
and humanity the community has enjoyed with this humble yet influential
leader.
Organized by the Brauer Museum of Art at Valparaiso University and curated by Dr. Jungsil Lee, this retrospective exhibition of the art of Su Kwak brings together a body of work that affirms the artist’s distinctive use of light and color to affirm her spiritual life.
In conjunction with the fourth annual Cinema Pacific film festival, which this year focuses on the cinema of Singapore and Mexico, Singapore-artist Wong shows his 3-channel Life and Death in Venice.
In conjunction with the American Association of Italian Studies Conference, held in Eugene April 11–14, this special exhibition presents a series of nearly twenty experimental Op (Optical) art color aquatints and lithographs by the influential Italian artist Piero Dorazio (1927-2005).
In conjunction with the May 10 Eugene visit of His Holiness the Dalai Lama, the JSMA is presenting a small selection of art from Tibet and relating to Tibetan Buddhism, largely drawn from the museum’s permanent collection.
To celebrate the publication of “Morris Graves: Selected Letters,” edited by independent curator Vicki Halper and retired Curator of American and Regional Art Lawrence Fong, a small selection of works by this major American painter and key member of the Northwest School will be on view in the Gilkey Center
In conjunction with Eugene Opera’s presentation of Dead Man Walking, the JSMA invited Corvallis-based artist Julie Green to present a selection of The Last Supper, a series of some 500 porcelain painted plates that illustrate final meal requests of U.S. death row inmates and a video of final meal requests.
Presented here are cathedrals and churches built from the 11th to the 20th centuries in a vast array of architectural styles in locations as diverse as St. Petersburg, Russia, and Unalaska, Alaska—a small city 800 miles southwest of Anchorage in the remote Aleutian Island chain.
Coeta and Donald Barker Changing Exhibitions Gallery
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In the heady and hallucinogenic days of the 1960s and ’70s, a diverse range of artists and creative individuals based in the American West – from the Pacific coast to the Rocky Mountains and the Southwest – broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement.
This exhibition of German Expressionist works, including prints by Wassily Kandinsky, Käthe Kollwitz, Franz Marc, Emil Nolde and features the recently restored double-sided painting Ballet Dancers (recto)/Two Women in Lamplight (verso), which the artist Max Pechstein painted in 1912.
Violet Ray created his unique 1960s ad collage series Advertising the Contradictions, documented in the West of Center catalog, by inserting disturbing new imagery into real advertisements to reveal the hidden meaning and subconscious values of consumer culture.