Past Exhibitions

Drawing of a goat

Morris Graves’s Goats Heroes and Fantasies

Morris Graves Gallery

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Inspired by the special loan of Hero: Portrait of the Irish Celtic Temperament and the museum’s recent acquisition of Irish Goat, this selection of paintings and works on paper showcases Morris Graves’s goat imagery from the 1950s.

Tall building in the background partially obscured by trees with two people walking on a path away from the building

McCosh In Europe

John and Ethel MacKinnon Gallery

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McCosh in Europe features works he made in the late 1920s, while traveling in England, France, Ireland, and Italy on a scholarship from the Art Institute of Chicago. The exhibition also features works created during his sabbatical from the UO in the late 1950s, when he returned to many of these places as well as Spain.

Impressionist landscape  in greens, yellows, and browns

David McCosh’s Eugene

Harold and Arlene Schnitzer Gallery

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David McCosh arrived in Eugene in 1934 as a new faculty member in the Department of Art. Inspired by the rugged environment of his new home, he began to pursue a method of painting based purely on direct observation of nature.

An etching of a stone building with a small balcony supported by ornate brackets, surrounded by scaffolding and wooden beams.

From the Ground Up Gordon Gilkey’s University of Oregon Library Construction Series

Harold and Arlene Schnitzer Gallery

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From the Ground Up honors the Department of Art’s first Master of Fine Arts recipient, Gordon Gilkey ’36. For his thesis project, Gilkey secured funding from the Works Progress Administration to document the construction of the University of Oregon’s new library, designed by campus architect and Dean of AAA Ellis Lawrence (American, 1879-1946), who also designed this museum.

Black and white photograph of an abandoned attic with a peeling wooden ceiling and two windows letting in dim light.

The Art of Consumption

Upper Hallway Galleries

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Curated by Samantha Hull, a 2013 graduate of the Department of the History of Art and Architecture, the exhibition showcases photography from the 1960s and ’70s when the medium grew in respect as an art form and began exploring new expressive possibilities, including environmental documentary work.

A triptych painting of a vividly colored landscape with rolling hills, trees, and a variety of textured patterns in red, blue, yellow, and green hues.

Karla Chambers Farming, Food, and Fine Art

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This exhibition directly supports JSMA’s work at Edison Elementary School and our school tours this fall. During the winter, work created by Edison students will be displayed in our Artist Project Space to illustrate how Chambers’s work has inspired them not only to embrace creating art for expression, but also to select a healthier plate when making decisions about eating.

 A mixed-media artwork featuring a basketball player in an Oregon Ducks uniform, surrounded by motivational words like "Hard Work," "Leadership," and "Sacrifice," with vibrant splashes of color in the background.

Art of the Athlete 3

Education Corridor

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The Art of the Athlete outreach program results in works of art for the public to view and writing samples that document how the project makes meaning for them. The exhibition—our third in three years!--becomes a forum for the student athletes to express what is sometimes invisible on the field and on the court.

Red brain-like shapes with protruding white spyglasses and brown trees tossed about on black waves

Ryo Toyonaga Awakening

Coeta and Donald Barker Changing Exhibitions Gallery

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Awakening features the haunting, surreal work of Ryo Toyonaga, a New York City-based contemporary artist, in his first major museum retrospective. The exhibition surveys 20 years of ceramic and mixed-media sculpture, drawing and painting. Toyonaga’s imagery is drawn from a wellspring of recurrent dreams.

A modern art installation consisting of several metal boxes hanging in the air, creating an abstract geometric composition.

Geraldine Ondrizek Shades of White

Artist Project Space

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Geraldine Ondrizek, an artist and professor at Reed College, creates installations that explore personal and political issues related to genetics, ethnic identity, and disease.

A Byzantine-style religious icon featuring Jesus Christ enthroned, flanked by the Virgin Mary and John the Baptist, with additional saints depicted below, all rendered in vibrant colors and gold accents.

The Word Became Flesh Images of Christ in Orthodox Devotional Objects

A. Dean & Lucile I. McKenzie Gallery

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The works in this exhibition feature scenes from the life of Christ, culminating in his passion and death at Golgotha. According to the Christian tradition, Christ was buried at Golgotha, which in Aramaic means “the place of the skull.”

A watercolor painting of a narrow street in Villefranche with colorful buildings, green shutters, and a woman carrying a basket. The scene has a quaint, picturesque charm.

Chipping the Block, Painting the Silk The Color Block Prints and Serigraphs of Norma Bassett Hall

Harold and Arlene Schnitzer Gallery

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This special exhibition presents a spectrum of the Oregon-born Hall’s twenty-five year career as a printmaker. It is the first solo exhibition of Hall’s work since her death in 1957, the first time that more than sixty of her prints have been gathered for exhibition, and likely the first time prints by her have been exhibited in Oregon since 1930.

Abstract painting of a chalice-type object with a black facted base and light pouring from the top

Morris Graves Visions of Metamorphosis

Morris Graves Gallery

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For Pacific Northwest artist Morris Graves, metamorphosis was a spiritually rich symbol of growth and renewal. Drawing from the museum’s permanent collection, this exhibition highlights two aspects of this concept: regeneration and enlightenment.

Woman in a blue and white flowered kimono examines a variety of produce in a store

Japanese Impressions from the Vault The Rare, the Beautiful, and the Bizarre

Fay Boyer Preble and Virginia Cooke Murphy Wing

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This selection of Japanese woodblock prints was catalogued during a recent print re-housing project undertaken by Faith Kreskey (MA, art history, 2012). The works include a variety of 19th century ukiyo-e (images of the floating world) by artists of the Utagawa School, 20th century shinhanga (so-called new prints) and sōsaku hanga (creative prints), and a few recently acquired works.

Minimalist painting in black and brown and orange of a hillside with trees, a river, and a lone person leading a cow

Elegance & Nobility Modern & Contemporary Korean Literati Taste

Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art

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In summer 2014, the JSMA will install a small selection of 20th–21st century Korean calligraphy, paintings, and ceramics, including recently acquired porcelain vessels by KIM Yikyung (born 1935) and LEE Young-Ho (born 1977).