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Lonnie Graham is a photographer, installation artist, and cultural
activist investigating methods by which the arts may be used to achieve
tangible meaning in people’s lives., A Conversation with the World
comprises work done in Africa, Asia, the Pacific Rim, Europe, and the
Americas. Graham meets individuals and, through mutual trust, makes a
portrait and records a conversation. Regardless of age, gender or
nationality, all were asked the same eight questions pertaining to origins,
family, life, death, values, tradition, and thoughts on Western Culture.
This is the first JSMA exhibition celebrating the extremely generous donations of 520+ Meiji prints from the Lavenberg Collection and the first group of over 150 Japanese prints from the Michels Collection. Together, these magnanimous gifts have transformed the JSMA into a major resource for the study of Meiji graphic arts.
Wan Koo and Young Ja Huh Wing and Jin Joo Gallery of Korean Art
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The JSMA owns a remarkable Korean painting of the Bodhisattva Ksitigarbha
and the Ten Kings of Hell that was donated by museum-founder Gertrude Bass
Warner (1863-1951). A bodhisattva is a compassionate Buddhist deity that
postpones its own enlightenment to assist others along the same spiritual
path, and Ksitigarbha—who is always depicted with the shaven head, robes,
and staff of a Buddhist monk—i
This year’s Art of the Athlete (AofA) exhibition highlights 4 alumni of the AofA program and their contributions as they returned to share their time and talents to work on the museum’s education programs with UO students, youth in our World of Work program, and outreach programs for children identified as at risk and enduring trauma.
This year's project, Hear My Voice, was led and curated by UO art students Kayla Lockwood (2022, ATCH BFA) and Sam Berry (2023, Product Design) and Malik Lovette (2024, M.Arch). The exhibition documents multiple community conversations with UO students, primarily students of color, and documents their experiences surrounding stereotyping.
The exhibition highlights an impressive grouping of photographs by Watts
gifted to the JSMA that includes portraits of artists, activists, authors,
and musicians along with his sourcing of important historical publications
acquired from archival holdings of African American cultural institutions.
The JSMA’s recent acquisition of Untitled by Raymond Saunders (American,
b. 1934) marked the first work by this esteemed Bay Area painter and
installation artist to enter the collection. Untitled combines many of the
visual and thematic elements Saunders has repeated throughout his long
artistic career.
On Earth: A Fragile Existence highlights works from the JSMA’s permanent collection that reflect a multi-layered understanding of humanity's role in our shared ecology with the non-human, or more-than-human, world.
This year marks the 14th annual NewArt Northwest Kids exhibition. This year’s theme, Brave Spaces, encouraged students to share their personal stories of bravery that help define who they are, and stories of bravery they saw or imagined. The works of art reveal the resilience of each student and the bravery they witness every day.
Featuring icons, manuscript pages, and other pre-modern Christian objects,
After Life: The Saints of Russian and Greek Orthodoxy explores the artistic
narrative of hagiography --- the stories of the lives of saints. Zoey
Kambour, 2021-22 post-graduate fellow in European & American art, curated
this selection of works from the JSMA’s icon collection.
Sara Siestreem (Hanis Coos)'s Artist Project Space exhibition pearly gates
includes painting installation, video, and woven baskets, and thematically
considers access in terms of land, ancestry, resources, and human
relationships.
Coeta and Donald Barker Changing Exhibitions Gallery
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On February 5, 2022, the Jordan Schnitzer Museum of Art will open the
“Remember This: Hung Liu at Trillium” in the museum’s Barker and Soreng
galleries. In this exhibition, renowned contemporary Chinese-American
artist Hung Liu explored subjects ranging from portraits to landscapes to
still lifes and reflects upon history, memory, tradition, migration, and
social justice.
Rick Silva’s Western Fronts: Cascade Siskiyou, Gold Butte, Grand
Staircase-Escalante, and Bears Ears is an experimental video that reflects
the political and ecological threats that face four U.S. National
Monuments. The work combines aerial drone footage and photogrammetry with
3D animation to create a nature documentary that collapses into itself.