August 18, 2018 to October 06, 2019
This installation introduces the history and performance of Nō theater using selected prints by TSUKIOKA Kōgyo (1869-1927) recently donated to the museum by Elizabeth Moyer and Michael Powanda. Established in the fourteenth century, Nō (sometimes spelled Noh) is one of Japan’s oldest and most revered theatrical forms.
June 02, 2018 to September 02, 2018
With the appointment of Jill Hartz as executive director of the museum, nearly ten years ago, the JSMA’s collections have grown in breadth and quantity in support of its mission to serve as both a teaching museum and a cultural center for our larger community.
May 19, 2018 to June 17, 2019
JSMA founder Gertrude Bass Warner lived in China for many years, amassing a collection with special interest in art of the Qing dynasty (1644-1912). She bequeathed enviable riches to the museum, among them some with fine Daoist iconography. Next to the teachings of Confucius, Daoism is one of the two indigenous philosophical traditions of China that have evolved over more than 2,000 years.
May 18, 2018 to August 19, 2018
The JSMA will exhibit eight works by Glenn Brown, selected by new and longtime masterworks collectors. Distinctive in Britain’s contemporary art market, Brown revives the art historical past through delicate acts of appropriation that build upon the legacy of Renaissance and Romantic masters. Seven of the works exemplify the paintings and drawings that comprise the majority of Brown’s oeuvre.
May 09, 2018 to July 22, 2018
Solar Breath (2002) is a 62-minute loop of fluttering curtains that reveal and conceal an idyllic landscape in rural Newfoundland. The work was a result of the artist’s observations of a window of his summer cabin in Canada. Over the years, according to Snow, “a mysterious wind performance takes place in one of the windows, about an hour before sunset.”
April 25, 2018 to August 05, 2018
This unusual exhibition is a striking example of the museum as medium. Rodrigo Valenzuela’s new landscape portraits, his selection of works from the JSMA's collection, and his unconventional manner of displaying these objects, ask us to think about the various possibilities of putting work (labor and art) “in its place.”
March 28, 2018 to September 09, 2018
Drawing from the major gift of eighty-five photographs by Weegee (Arthur Fellig), given to the JSMA in 2016 by Ellen and Alan Newberg, this thematic exhibition will present a selection of black-and-white photographic prints.
February 28, 2018 to April 29, 2018
Discursive features work—ranging from functional to sculptural, from performance to site-specific—created by UO faculty and visiting artists who participated in the 2016 Summer Craft Forum at the UO. During this two-week event, the participants – all of whom work in craft media, such as ceramics, metalsmithing, fibers, and printmaking – occupied UO studios to make art.
February 23, 2018 to May 13, 2018
This exhibition investigates the politics of hair, racialized beauty standards, hair rituals, and the differences in expectations between men and women with regard to hair. Especially relevant in the current politically and culturally charged climate and relevant to issues of access, equity, and inclusion, Don’t Touch My Hair explores how beauty is represented within and outside one’s community.
February 21, 2018 to August 05, 2018
Twentieth-century architect Herman Brookman (1891-1973) designed several of Oregon’s most recognizable landmark structures. Organized by and first presented at the Oregon Jewish Museum and Center for Holocaust Education (OJMCHE) in Portland in summer 2017, this exhibition of forty drawings focuses on one of Brookman’s masterpieces, Temple Beth Israel in Portland.
February 03, 2018 to June 18, 2018
This exhibition highlights selections from the European collection by showcasing fourteen black-and-white works by some of the leading figures in the history of photography. The works on view span the period from 1851 through 1969, from the amateur photographer and Pictorialist Eduard Loydreau’s Hangars sous la neige to the documentary realism of Henri Cartier-Bresson’s snapshot Rue Mouffetard.
January 20, 2018 to April 29, 2018
This extensive body of work in painting, drawing, and collage by Eugene, Oregon-based artist Keith Achepohl was inspired by three weeks spent at the Morris Graves Foundation Artist Residency in 2011.
January 18, 2018 to March 18, 2018
In recognition of the importance of Morris Graves’s work and home to Keith Achepohl, we asked Achepohl if he would curate a companion exhibition. This selection, from more than 500 drawings by Graves (American, 1910-2001) in our collection, celebrates Graves’s symbolic and highly personal use of vessel imagery over the course of his life.
December 01, 2017 to June 24, 2018
The “Circle of Animals/Zodiac Heads” series is internationally-acclaimed artist AI Weiwei ’s reinterpretation of the twelve bronze animal heads representing the traditional Chinese zodiac that once adorned the famed fountain-clock of the Yuanming Yuan (Old Summer Palace), an imperial retreat outside Beijing. The work will be on view in the JSMA’s North Courtyard.
November 18, 2017 to July 29, 2018
Featuring more than fifty superlative works from the distinguished private collection of Dr. Lee and Mary Jean Michels, the exhibition explores this transitional moment in Japanese history through woodblock prints.

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