Past Exhibitions

Born in Camagüey, Cuba, in 1921, Emilio Sanchez credited the landscape of his youth with developing his life-long interest in the effects of light and shadow on color. Although his early works explored figurative themes, Sanchez began his best known series of paintings and prints highlighting houses and other types of architecture in the 1960s.

Born in Tehuantepec, Oaxaca, Mexico, Rolando Rojas is inspired by the legends, stories, and myths passed down from the ancestors of the people of Tehuantepec, who believed that they descended from mystical trees and animals.

The Female Figure: Artistic Multiplicities draws from works in the collection, supplemented with special loans which present women as complex, nuanced individuals, as well as potent vehicles for symbolic meaning.

Charles M. Schulz’s PEANUTS is not only the most successful newspaper comic strip in the history of the form; it also represents one of the more remarkable achievements in the history of twentieth-century artistic endeavor, in terms of qualitative consistency and sheer longevity. The strip debuted on October 2, 1950, and ran continuously for almost fifty years

For the past nineteen years Lynda Lanker, a Eugene, Oregon, based artist, has been traveling throughout the western United States sketching, painting, interviewing and photographing iconic women. This exhibition and accompanying publication will present the portraits and stories of forty-nine women, from thirteen western states, who gain their sustenance and livelihood from the land.

This exhibition, curated by Lawrence Fong, Curator of American and Regional Art, and Danielle Knapp, McCosh Fellow Curator, and featuring more than 40 major works from her collection, will tell the story of Arlene Schnitzer’s personal relationships with the artists, curators and collectors she championed and influenced.