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Jonas Mekas is considered by many to be the “godfather of American avant-garde film.” The exhibition, which features twenty-two photographic portraits, is co-curated by Richard Herskowitz, director of the Cinema Pacific film festival, and Deborah Colton, owner and director of the Deborah Colton Gallery in Houston.
This exhibition presents photographs by members of Reconoci.do, an organization of Dominican youth of Haitian descent that is struggling to reinstate their rights as nationals. The Spanish word “reconocido” translates to “recognized” or “acknowledged” in English.
Drawn entirely from the collections of the JSMA, this exhibition explores different modes of representing architecture. From prints to drawings to photography, the works on view explore the ways in which artists have rendered three-dimensional space in two-dimensional form. This exhibition is organized in conjunction with ARH 607, “Representing Architecture,” a graduate-level class.
Sculptures and works on paper from the artist’s estate show the breadth of former A&AA professor Jan Zach’s talents. Trained as a painter in his native Czechoslovakia, Zach was an internationally recognized artist when he joined the UO faculty in 1958. This exhibition includes three-dimensional works alongside paintings and drawings from his time in Brazil, Canada, and the United States.
For the past eight years, the Jordan Schnitzer Museum of Art has organized and presented NewArt Northwest Kids, an annual K-12 juried student exhibition. This year’s theme, Last Night I Had the Strangest Dream, was inspired by our fall 2014 exhibition Ryo Toyonaga: Awakening.
Portland-based architect Pietro Belluschi (1899–1994) was one of the leading proponents of Modernist architecture in the Pacific Northwest. Organized by Pietro’s son, architect Anthony Belluschi, for the Oregon Historical Society in 2012, this exhibition features models built by University of Oregon students of ten Belluschi buildings located across Oregon.
Audra Wolowiec is an interdisciplinary artist whose conceptually-driven work explores the material qualities of language and sound. Complex Systems is the result of Wolowiec’s residency with the lab of Professor Eric Corwin in the Department of Physics at the University of Oregon.
Coeta and Donald Barker Changing Exhibitions Gallery
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A hand-drawn animated installation and film, Two Ways Down takes inspiration from the Hieronymus Bosch work Garden of Heavenly Delights. Reflecting on the momentary nature of life, Heit’s fantastical piece uses thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a fleeting world where human-animal hybrids flit across the walls.
Coeta and Donald Barker Changing Exhibitions Gallery
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Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and his Family Foundation features work by forty artists spanning the last five decades. Tracing general currents in the art world, as well as major developments specific to printmaking, Under Pressure addresses how the print rose to prominence in postwar American art.
Advocating for the importance of the arts in schools, the Jordan Schnitzer Museum of Art has partnered with Edison Elementary School for the past year exploring the relationship between sustainability, food, and art. The museum offers in-class projects for 3rd grade students at the school, and after school classes for K-5th grade Edison students take place at the museum.
Inspired by the special loan of Hero: Portrait of the Irish Celtic Temperament and the museum’s recent acquisition of Irish Goat, this selection of paintings and works on paper showcases Morris Graves’s goat imagery from the 1950s.
McCosh in Europe features works he made in the late 1920s, while traveling in England, France, Ireland, and Italy on a scholarship from the Art Institute of Chicago. The exhibition also features works created during his sabbatical from the UO in the late 1950s, when he returned to many of these places as well as Spain.
David McCosh arrived in Eugene in 1934 as a new faculty member in the Department of Art. Inspired by the rugged environment of his new home, he began to pursue a method of painting based purely on direct observation of nature.
From the Ground Up honors the Department of Art’s first Master of Fine Arts recipient, Gordon Gilkey ’36. For his thesis project, Gilkey secured funding from the Works Progress Administration to document the construction of the University of Oregon’s new library, designed by campus architect and Dean of AAA Ellis Lawrence (American, 1879-1946), who also designed this museum.
Curated by Samantha Hull, a 2013 graduate of the Department of the History of Art and Architecture, the exhibition showcases photography from the 1960s and ’70s when the medium grew in respect as an art form and began exploring new expressive possibilities, including environmental documentary work.
