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phpmenutreefix: 
Lehuauakea (Kanaka Maoli (Native Hawaiian), b. 1996).
Chinook, 2022.
Earth pigment on kapa,
11 x 14 in. Image courtesy of the artist.

Our Shared Breath: Creativity and Community

January 28, 2023 to October 22, 2023
The University of Oregon’s annual Common Reading program encourages campus-wide engagement with a shared book and related resources. JSMA’s corresponding Common Seeing expands this conversation through the visual arts. During the 2022-23 academic year, the UO continues its reflection on Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants (Milkweed Editions, 2013) by Robin Wall Kimmerer. This memoir addresses humanity’s responsibility to the natural world through its author’s observations as an enrolled member of the Citizen Potawatomi Nation, trained botanist, and mother. Kimmerer calls for a reciprocal relationship between people and nature that prioritizes generosity and respects the needs of all living things. In Our Shared Breath: Creativity and Community, we present the work of six artists to consider our own understandings of community, generosity, responsibility to the more-than-human world, and creativity in all its forms. Their prints, paintings, sculptures, and videos speak to individual and communal relationships with the land, water, and fellow living beings (human and non-human), and invite reflection on themes of reciprocity, storytelling, record-keeping, and lived experiences. Danielle Knapp, McCosh Curator, and Zoey Kambour, Post Graduate Curatorial Fellow in European & American art, curated this selection of works. Support for Our Shared Breath: Creativity and Community was provided by the Art Dealers Association of America Foundation.
 
Featured Artists
Sara Siestreem (Hanis Coos, b. 1976)
Melanie Yazzie (Diné (Navajo), b. 1966)
Rick Bartow (Mad River Wiyot, 1946-2016)
Lehuauakea (Kanaka Maoli (Native Hawaiian), b. 1996)
Ryan Pierce (American, b. 1979)
Malia Jensen (American, b. 1966)
 
For more information about the Common Reading and to find out how members of the UO Community can access a digital copy of Kimmerer’s book, visit: https://fyp.uoregon.edu/common-reading-braiding-sweetgrass
 
For the virtual tour of the 2020-2021 Common Seeing, Meeting Points, please visit: bit.ly/3U1NY8n
 
Robin Wall Kimmerer’s campus talk, please visit: bit.ly/3AFG1ij
phpmenutreefix: 
Juan Carlos Alom (b. 1964 Cuba)
Mandy and Tara, 2004
Photoengraving, 30 x 22 in sheet.
Gift of Dr. and Mrs. Irwin R. Berman
2011:1.1

What We Leave Behind

January 06, 2023 to June 04, 2023
What We Leave Behind invites viewers to examine the notion of global mobility as a fundamental human right. In works by artists Juan Carlos Alom, Norma Vila Rivero, Lilliam Nieves, Sandra Ramos, and Luis Palacios Kaim, the exhibition explores the causes of the contemporary diaspora as well as the consequences of the surveillance state and a global border apparatus. It questions the systems that commodify bodies and allow the free movement of goods, businesses, and a corporate class, while criminalizing those who seek to escape violence and uninhabitable spaces.
 
What We Leave Behind evaluates the network of forces that compel many to leave “home” and the challenges encountered through borderization. Adopting Achille Mbembe’s inquiries, it asks, “What, then, is this ‘borderization,’ if not the process by which world powers permanently transform certain spaces into impassable places for certain classes of populations? What is it about, if not the conscious multiplication of spaces of loss and mourning, where the lives of a multitude of people judged to be undesirable come to be shattered?” Other themes in the exhibition include family separation, the failures of modernization, climate change, and domestic violence.
 
The exhibition’s title, What We Leave Behind, is inspired by the documentary of the same name, by Director Ileana Sosa (2022), that focuses on relationships, memory, and transnational interactions. Both the exhibition and documentary embrace the concepts of mobility and of freedom. As the Cuban-born artist Sandra Ramos has stated, “I wish there were a bridge not only for the Strait of Florida but for every geographical point in dissension; for every place where it is necessary and advantageous for people to step across. For those countless places where man wants to try his luck, take shelter, work or join his brothers. I wish there were bridges, thousands of surprising and mysterious bridges that like the Nautilus would carry us into the deep waters of freedom….”
 
Click to visit the exhibition in our virtual tour:
 

 

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