Print on yellowed paper of a woman in a robe and leaning on a crutch holdig the arm of a child-size skeleton. Words frame the image and there are various paint spatters on the print.

Enrique Chagoya Adventures of Modernist Cannibals

Harold and Arlene Schnitzer Gallery

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Enrique Chagoya
(American, born Mexico, 1953)
La Portentosa Vida de La Muerte II
edition 8/30, 2008
Lithograph
17 x 14 inches
Collection of Jordan D. Schnitzer (HIPM); L2015:85.7

Painter and printmaker Enrique Chagoya describes his work as a “conceptual fusion of opposite cultural realities” and employs what he calls “reverse anthropology.” His provocative works incorporate diverse symbolic elements from pre-Columbian mythology, Western religious iconography, and American popular culture. Chagoya often appropriates the visual tropes of Western modernism in his works, just as the masters of Modern art cannibalized so-called primitive forms without properly contextualizing them.

This exhibition highlights some of Chagoya’s most fascinating pieces: artist’s books that take their form from pre-Columbian codices and combine chine-collé, letterpress, lithography, and woodcut printing techniques to create rich, multi-layered compositions. His contemporary codices illustrate an imagined world in which the European conquest of the New World failed and the normative culture of the Americas is based in indigenous ideology. Sponsored by Jordan D. Schnitzer