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John Piper (British, 1903-1992)

Travel Notes: Castle Ashby Avenue, 1967

Silkscreen on paper

Gift of Dr. Lewis Burrows

1979:30.1

John Piper: Eye and Camera & Travel Notes

June 03, 2014 to October 12, 2014

British artist John Piper (1903–92) defies categorization. In addition to producing some of Britain’s best-loved paintings, prints, and photographs of the 20th century, Piper designed fabrics, stained glass windows, and stage sets for a number of theatrical works (including six operas by Benjamin Britten). He also wrote extensively—both poetry and non-fiction texts—on the arts in England. John Piper: Eye and Camera & Travel Notes features eight large silkscreens from the artist’s series Eye and Camera, which are based on photographs of his wife, Myfanwy. The exhibition also includes two screenprints from the series Travel Notes, including views of Castle Ashby Avenue and Devil’s Bridge Waterfalls.

Artist's Talk: Vanessa Renwick

Portland-based artist Vanessa Renwick is one of the most highly regarded experimental filmmakers in the United States.  Her installations address serious environmental issues in often humorous ways.  Her talk is held in conjunction with two installations, Medusa Smack and Hunting Requires Optimism.

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Ten Symbols of Longevity and Late Joseon Korean Culture

April 01, 2014 to June 28, 2015

The JSMA is proud to unveil our recently conserved Ten Symbols of Longevity screen along with a selection of Korean objects spanning the 19th and 20th centuries. This rotation features a number of court and Buddhist paintings and textiles, prints of traditional Korean subjects by Scottish artist Elizabeth Keith (1887–1956), and a few contemporary works. The museum’s famous Ten Symbols screen was commissioned in 1879 to celebrate the recovery from smallpox of Crown Prince Yi Cheok (Sunjong,1874–1926), the final ruler of the Joseon dynasty (1310–1926). This vibrant painting of auspicious landscape, floral, and animal motifs bears the names of its many court patrons and was recently conserved through a generous grant from the Korean National Research Institute of Cultural Heritage (KNRICH).The JSMA is deeply indebted to the KNRICH for their support of this project as well as to master conservator SONG Jeongju and the staff of her Gochang Conservation Institute for bringing the screen back to its original glory. This is the first showing of the painting since its return from Korea, where it was the centerpiece of a special exhibition at the National Palace Museum.

Why Aren't There More Black People in Oregon? A Hidden History

Have you ever wondered why the Black population in Oregon is so small? Oregon has a history not only of Black exclusion and discrimination, but also of a vibrant Black culture that helped sustain many communities throughout the state—a history that is not taught in schools.  Join Portland State University author and adjunct professor Walidah Imarisha for this free conversation, organized for the closing week of Emancipating the Past: Kara Walker's Tales of Slavery and Power.

Panel Discussion and Opening Reception: Placing Pierre Daura: Family, Community, Nationality

A scholarly panel featuring Dr. Cecilia Enjuto Rangel, associate professor of Spanish at the University of Oregon; Dr. Carmen Lord, assistant professor of Liberal Arts at Pacific Northwest College of Art; and Dr. Barbara Rothermel, assistant professor of Museum Studies and director and curator at the Daura Gallery at Lynchburg College provides context for Daura’s work and the student curators illuminate themes and artwork in the exhibition. Reception to follow.

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